More picking on Art History Majors:

This quote comes from the NYTimes Magazine, and its profile on Edward Conard, the Bain Capitalist publishing a book on why vulture capitalists make the world better by making crap cheaper:

“A central problem with the U.S. economy, he told me, is finding a way to get more people to look for solutions despite these terrible odds of success. Conard’s solution is simple. Society benefits if the successful risk takers get a lot of money. For proof, he looks to the market. At a nearby table we saw three young people with plaid shirts and floppy hair. For all we know, they may have been plotting the next generation’s Twitter, but Conard felt sure they were merely lounging on the sidelines. “What are they doing, sitting here, having a coffee at 2:30?” he asked. “I’m sure those guys are college-educated.” Conard, who occasionally flashed a mean streak during our talks, started calling the group “art-history majors,” his derisive term for pretty much anyone who was lucky enough to be born with the talent and opportunity to join the risk-taking, innovation-hunting mechanism but who chose instead a less competitive life. In Conard’s mind, this includes, surprisingly, people like lawyers, who opt for stable professions that don’t maximize their wealth-creating potential. He said the only way to persuade these “art-history majors” to join the fiercely competitive economic mechanism is to tempt them with extraordinary payoffs.”

Yes, the reason I’m dragging down our economy is because the multi-million dollar salaries of investment bankers weren’t high enough to tempt me into the ring. I’ve done plenty of mid-afternoon lounging, or what I call intellectual labor, at cafes in my time and I’m always glad to have the company. The article doesn’t say whether Conard has any children, but if he did, I’m sure they do plenty of lounging at bars and cafes. And there we all sit with our lattes, impoverished grad students, trustifarians, and dissolute idlers.

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Car Talk: Quit Picking on Art History Students!

Quit Picking on Art History Students! | Car Talk.

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Broadsides! Caricature and the Navy 1756–1815, at the National Maritime Museum, Greenwich

John McAleer sent me word of a show opening in October 2012 with one of the best punning titles I’ve seen in awhile.

Broadsides! Caricature and the Navy, 1756–1815 will feature a selection of prints from the National Maritime Museum’s extensive collection of caricatures. These will highlight important naval actions and personalities, presenting a unique perspective on the navy’s place in British society and culture. In doing so, the exhibition will also illuminate the continuing contemporary relevance of political caricature and graphic satire.

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Cleveland Museum of Art Portrait Miniatures Online

The Cleveland Museum of Art has put their collection of portrait miniatures online with fantastic catalogue entries by their curatorial fellow, Dr. Cory Korkow. Check it out, along with my favorite of an unidentified gentlemen taking the waters of Bath.

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Wake Forest University Lectures

Many thanks to Morna O’Neill, Jay Curley, Harry Titus, Phil Archer, and everyone at Wake Forest and Reynolda House for a terrific visit down to Winston-Salem.The Wake Forest undergrads have only gotten better since I was a lad, and now the art history department includes three junior faculty that any school in the country would be envious of – Morna, Jay and Chanchal Dadlani. And it’s hard to imagine a better place for a public lecture than Reynolda House on a mild and clear February evening.  Thank you to everyone who came out to the talks, which reminded me how supportive the Wake community was when I was a student and how it continues to be an important part of our lives and family.

As we sat around the dinner table last night discussing our visit, Ruby declared “Morna’s house” the most fun part of the trip, August said that “Owen and Cyrus” were the best part of the trip, and Louisa and I would have to put Camino Bakery right up there at the top.

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Ways of Seeing: The Horse

One of the more surprising and enjoyable aspects of my trip to Melbourne, Australia this summer was an invitation to sit down for an interview with the Australian Broadcasting Corporation and discuss the work of George Stubbs, which carried over from a lecture I had given at the National Gallery of Victoria. It took a little while for them to produce and release the interview, but the final product is great fun.

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Wake Forest Magazine profile

I have nothing but fondness for my undergrad alma mater, Wake Forest, which set me on the unlikely path of an art historian. I had never met a college professor until I arrived on campus back in the fall of 1991, and my exposure to art was virtually non-existent. So the invitation to respond to a few questions for the alumni magazine was a real pleasure and an opportunity to thank a few of the faculty who opened my eyes to new modes of critical thinking and a whole new career.

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